From Jäkkvik I followed Kungsleden south and then continued pathless to the west – touching the the small Pieljekaise National Park. The pathless section from the small Sami settlement Tjállas up to the pass near Gujkkultjårro was strenuous with lots of brush and wet areas.
Except for the first two days I mostly encountered very changeable weather, rain, strong wind and low temperatures. Apart from two Sami persons I met nobody until shortly before the pass road 95 (“Silvervägen”). I was quite surprised about that as there is a marked trail from Ruonekjåhka. Sometimes it is quite overgrown and swampy in places. It is a beautiful area; I especially liked the section near Gujjávrre. But also before, there are beautiful views along the way.
Silvervägen – Ikkesjávrre – Mávasjávrre
After crossing the pass road I continued along the trail via Jurun and the small lake Jurunjávree, to beautiful Ikkesjávrre which has one of the largest sand beaches in Lapland’s mountains to Mávasjávrre and the Sami settlement Mavas. For crossing Mávasjávrre I used a packraft as there was no boat service provided in 2022 (I don’t know how it will be in the following years). I camped at the northern lakeshore and was surprised with the northern lights during the night – probably nature’s birthday present as I had just turned one year older.
Mávasjávrre – Pieskehaure – Ny Sulitjelma – Sorjushytta
The marked trail (which I lost in places as it is sometimes hard to see and follow) from Mavas leads to the large and beautiful lake Pieskehaure. Again, I was lucky and got a display of the aurora when camped above Pieskehaure.
When I published the videos from my last backpacking trip in Lapland, I got asked several times how it was possible to film myself in the boat showing the entire boat. People first suspected a drone, but no, this wasn’t it.
Corresponding video sections to the images above on YouTube: #1, #2, #3
I used a small a 360° camera. I mounted the camera onto a trekking pole (mine allows detaching the handle, revealing a tripod thread), extended it, and attached it to the boat’s bow on top of my backpack. You can see the construction in the following image:
You can also see, that the boat is very front-heavy due to my backpack which isn’t the lightest ;-). But why can’t we see the trekking pole in the finished video? Well, the pole is exactly between the two lenses of the 360° camera and thus in a “blind angle” and removed from the stitched image. When you come home, you can freely choose the framing of the recorded spherical video.
The approach is basically a hands-free option to record documentary footage or take photos when you are on a tiny boat (or elsewhere). My camera even accepts voice commands which makes starting and stopping recording easy. The disadvantage is, however, that due to reframing you lose a lot of resolution, the stitching seam might be visible in places and perspective seems a bit distorted due to the ultrawide angle of view.
In early autumn last year I was on a cross-border backpacking trip in Swedish and Norwegian Lapland which was almost 3 weeks in length. I more footage than I usually do and thus decided to publish the film about this trip in two parts. It really was a unique and beautiful experience. I only met few human beings and was often alone for days.
For the first time carried a small packraft as an experiment. Crossing Mávasjávrre wouldn’t have been possible without it as there was no boat service this year. And it was also fun :-)! The route of the trip is listed below.
Amrum is a small island (about 10 km from north to south tip) just situated in the North Sea, off the coast of Germany. It is part of the Frisian Islands archipelago and is known for its vast sandy beaches and sand dunes. It is a popular destinatipm, however, it never gets too crowded as there is only limited accommodation available.
My photographic interest was in particular in the dunes, some of which are overgrown with grasses and heather. In the following you can find some of the images I captured during my one-week stay on the island.
Painting with Light
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